AGM 2O12: NEW YORK CITY: SEX, MONEY AND POWER IN JANE AUSTEN’S FICTION

Imagining Jane Austen
Anna Quindlen

Neither Sex, Money, nor Power: Why Elizabeth Finally Says “Yes!”
Elaine Bander

Sex and the Senses
Juliet McMaster

“Where Does Discretion End, and Avarice Begin?” The Mercenary and the Prudent in Austen
Marilyn Francus

Lady Susan and Other Widows: Merry, Mercenary, or Mean
Maggie Lane

Power in Mansfield Park: Austen’s Study of Domination and Resistance
Marcia McClintock Folsom

Meditating Much upon Forks: Manners and Manner in Austen’s Novels
Mary Ann O’Farrell

Power and Freedom in Jane Austen’s Novels
Cornel West

MISCELLANY

“There She Is at Last”: The Byrne Portrait Controversy
Deborah Kaplan

Jane Austen and the Society for Promoting Christian Knowledge
Jocelyn Harris

“A ‘Said He’ or a ‘Said She’”: Speech Attribution in Austen’s Fiction
Anne Toner

The Ethos of Humor: A Study of the Narrator in Northanger Abbey
Tiffany Niebuhr

John Willoughby, Luxury Good: Sense and Sensibility’s Economic Curriculum
Shannon Chamberlain

Rethinking Marianne Dashwood’s Very Strong Resemblance to Eliza Brandon
Bonnie G. Nelson

Sunday in the Park with Elinor Dashwood: “So Public a Place”
Laurie Kaplan

Darcy’s Intentions: Solving a Narrative Puzzle in Pride and Prejudice
Leo Rockas

“Not Handsome Enough”: Faces, Pictures, and Language in Pride and Prejudice
Teri Campbell

Austen’s Fanny Price, Grateful Negroes, and the Stockholm Syndrome
Anne K. Mellor and Alex L. Milsom

“Wentworth, a Barber at Oxford”: Adapting Columella for Persuasion
Susan Allen Ford

Discovering an Unknown Austen: Persuasion in the Nineteenth Century
Marie Nedregotten SØrbØ