PERSUASIONS ON-LINE V.25, NO.1 (Winter 2004)

 
 
Jane Austen Bibliography for 2003
  BARRY ROTH

Barry Roth is a Professor of English at Ohio University and the author of three annotated bibliographies of the work of Jane Austen (UP Virginia, 1973 and 1985, and Ohio UP, 1996).

Anzinger, Martina. Gainsborough Pictures Reframed, or Raising Jane Austen for 1990s Film: A Film-Historic and Film-Analytical Study of the 1995 Films Sense and Sensibility and Persuasion. European Univ. Studies, Ser. 14: Anglo-Saxon Language and Literature, 397. Frankfurt: Lang, 2003. 

Aragay, Mireia. “Possessing Jane Austen: Fidelity, Authorship, and Patricia Rozema’s Mansfield Park (1999).” Literature Film Quarterly 31 (2003): 177-85. 

Aston, Elizabeth. Mr. Darcy’s Daughters: A Novel. New York: Touchstone, 2003.

Aylmer, Janet. In the Footsteps of Jane Austen through Bath to Lyncombe and Widcombe: A Walk through History. Bath: Copperfield, 2003. 

Barron, Stephanie. Jane and the Ghosts of Netley. A Jane Austen Mystery. New York: Bantam, 2003.

Belton, Ellen. “Reimagining Jane Austen: The 1940 and 1995 Film Versions of Pride and Prejudice.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 175-96. 

Benditt, Theodore M. “The Virtue of Pride: Jane Austen as Moralist.” Journal of Value Inquiry 37 (2003): 245-57. 

Berggren, Kris. “The Marriage of True Minds.” National Catholic Reporter 26 Dec. 2003: 19. 

Blum, Virginia L. “The Return to Repression: Filming the Nineteenth Century.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 157-78. 

Bowles, Kate. “Commodifying Austen: The Janeite Culture of the Internet and Commercialization through Product and Television.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 15-21. 

Brown, Sarah Annes. “Sense and Sensibility and Middlemarch.” Devoted Sisters: Representations of the Sister Relationship in Nineteenth-Century British and American Literature. Burlington, VT: Ashgate, 2003. 60-71. 

Caines, Michael. “A Gt. Hse. Library.” Times Literary Supplement 25 July 2003: 13. 

Carroll, Laura. “A Consideration of Times and Seasons: Two Jane Austen Adaptations.” Literature Film Quarterly 31 (2003): 169-76. 

Cooper, Patrick, comp. “Appendix: Television, Film, and Radio Productions of Austen.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 261-66. 

Crang, Mike. “Placing Jane Austen, Displacing England: Touring between Book, History, and Nation.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 111-30. 

Dawkins, Jane. More Letters from Pemberley, 1814-1819: A Further Continuation of Jane Austen’s Pride and Prejudice. New York: Universe, 2003. 

Delasanta, Rodney.  “Hume, Austen, and First Impressions.”  First Things 134 (June/July 2003): 24-29. 

Dobie, Madeleine. “Gender and the Heritage Genre: Popular Feminism Turns to History.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 247-59. 

Eden, Melissa Pope. “’The Subjunctive Mode of One’s Self’: Carol Shields’s Biography of Jane Austen.” Carol Shields, Narrative Hunger, and the Possibilities of Fiction. Ed. Edward Eden and Dee Goertz. Toronto: U of Toronto P, 2003. 147-71. 

Edmundson, Melissa. “The Significance of the Sotherton Episode in Jane Austen’s Mansfield Park.” English Language Notes 41 (Dec. 2003): 57-66. 

Erdogan, Gökçen. Control of the Readers in Jane Austen’s Novels Emma and Sense and Sensibility. Ankara: METU, 2003. 

“Erratum.” Review of English Studies ns 54 (2003): 154. 

Fergus, Jan. “Two Mansfield Parks: Purist and Postmodern.” Jane Austen on Screen.  Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 69-89.  

Fulbrook, Denise. “A Generational Gig with Jane Austen, Sigmund Freud, and Amy Heckerling: Fantasies of Sexuality, Gender, Fashion, and Disco in and beyond Clueless.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 179-209. 

Fulk, Mark K. “Feminist and Queer Values in the Southern Conservative Christian Classroom: The Case of Jane Austen’s Emma.” Feminist Teacher 14 (2003): 248-60. 

Galperin, William H. The Historical Austen. Philadelphia: U of Pennsylvania Press, 2003. 

Gard, Roger. “A Few Skeptical Thoughts on Jane Austen and Film.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 10-12. 

Garber, Marjorie. “The Jane Austen Syndrome.” Quotation Marks. New York: Routledge, 2003. 199-210. 

Gay, Penny. “Sense and Sensibility in a Postfeminist World: Sisterhood Is Still Powerful.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 90-110.

Giardetti, Melora. Personal and Political Transformation in the Texts of Jane Austen. Lewiston, NY: Mellen, 2003. 

Gill, Richard, and Susan Gregory. Mastering the Novels of Jane Austen. Palgrave Master Ser. New York: Palgrave Macmillan, 2003. 

Gilson, David. “Jane Austen and Europe.” Book Collector 52 (2003): 31-45. 

Hamilton, Paul.  “Jane Austen’s Conservatism” Metaromanticism: Aesthetics, Literature, Theory. Chicago: U Chicago P, 2003. 156-74. 

Harris, Jocelyn. “’Such a Transformation!’: Translation, Imitation, and Intertextuality in Jane Austen on Screen.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 44-68. 

Hubert, Maria. Jane Austen’s Christmas: The Festive Season in Georgian England. Stroud: Sutton, 2003.

Jackson, H. J.  “What Was Mr. Bennet Doing in His Library?” American Scholar 72(2003): 160. 

Jacobus, Mary. “Jane Austen in the Ghetto.” Women: A Cultural Review 14 (2003): 63-84.

The Jane Austen Society: Report for 2003. [Winchester]: Jane Austen Soc., 2003. 

Jane Austen’s Regency World: The First Colour Magazine about Jane Austen. Bimonthly. 1 (Jan. 2003). 

King, Amy M. “Austen’s Physicalized Mimesis: Garden, Landscape, Marriageable Girl.” Bloom: The Botanical Vernacular in the English Novel. New York: Oxford UP, 2003. 73-131. 

Kroeber, Karl. “Jane Austen’s Northanger Abbey: Self- Reflexive Satire and Biopoetics.” The Satiric Eye: Forms of Satire in the Romantic Period. Ed. Steven E. Jones. New York: Palgrave Macmillan, 2003. 99-114. 

Lamont, Claire. “Jane Austen and the Old.” Review of English Studies ns 54 (2003): 661-74. 

Lane, Maggie. Jane Austen and Lyme Regis.” Chawton: Jane Austen Soc., 2003. 

Le Faye, Deirdre. [“Jane Austen and the Theatre”]. Review of English Studies ns 54 (2003): 102-8. 

Lynch, Deidre. “Clueless: About History.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 71-92. 

Macdonald, Gina and Andrew, eds. Jane Austen on Screen. New York: Cambridge UP, 2003. 

Macpherson, Sandra. “Rent to Own, or What’s Entailed in Pride and Prejudice.” Representations 82 (Spring 2003): 1-23. 

Mandel-Viney, Leslie. “A Pedigreed Home for Women’s Writing.” New York Times 26 Oct. 2003 (sec. 5): 3. 

Margolis, Harriet. “Janeite Culture: What Does the Name Jane Austen Authorize.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 22-43. 

Martín Higarza, Pilar Cristina. “’I Dearly Love a Laugh’: El Diferenciador Paralingüístico de la Risa como Rasgo Fundamental de los Personajes en las Novelas de Jane Austen.” El Humor en todas las Épocas y Culturas. Ed José Luis Caramés Lage et al. Oviedo: Universidad de Oviedo, 2003. Edición Digital. 

“Medicine and Literature.” Education for Primary Care.” 14 (2003): 383-91. 

Menon, Patricia. Austen, Eliot, Charlotte Brontë, and the Mentor-Lover. New York: Palgrave Macmillan, 2003. 

Miles, Robert. Jane Austen. Writers and Their Work. Tavistock: Northcote House in association with the British Council, 2003. 

Miller, D. A. Jane Austen, or the Secret of Style. Princeton: Princeton UP, 2003. 

Monaghan, David. “Emma and the Art of Adaptation.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 197-227. 

Mosier, John. “Clues for the Clueless.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 228-53. 

Mullen, Shawna. The Wisdom of Jane Austen. New York: Citadel, 2003. 

Nicolson, Nigel. “Jane Austen in Bath.” Spectator (London) 13/20 Dec. 2003: 78. 

_____. Was Jane Austen Happy in Bath? Bath: Holburne Museum of Art, 2003. 

Parrill, Sue. “Not the Bluebird of Happiness: Bird Imagery in the Film Mansfield Park.” Literature Film Quarterly 31 (2003): 186-92. 

Perry, Ruth. “Sleeping with Mr. Collins.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 213-28. 

Persuasions: The Jane Austen Journal 25 (2003). 

Persuasions: The Jane Austen Journal On-Line 24.1 (2003). 

Pittock, Malcolm. “Jane Austen and Her Critics.” Cambridge Quarterly 32 (2003): 251-75. 

Pollak, Ellen. “Incest and Liberty: Mansfield Park.” Incest and the English Novel, 1684-1814. Baltimore: Johns Hopkins UP, 2003. 162-99. 

Poplawski, Paul, and Hidetada Mukai. Jein Osutin Jiten. Tokyo: Takashoboyumipuresu, 2003. 

Preston, Gaylene. “Sense and Sensibility: Ang Lee’s Sensitive Screen Interpretation of Jane Austen.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 12-14. 

Pucci, Suzanne R. “The Return Home.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 133-55.

Pucci, Suzanne R., and James Thompson. ”Introduction: The Jane Austen Phenomenon--Remaking the Past at the Millennium.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Albany: State U of New York P, 2003. 1-10. 

_____, eds. Jane Austen and Co.: Remaking the Past in Contemporary Culture. Albany: State U of New York P, 2003. 

Ray, Joan Klingel. “Austen’s Northanger Abbey.” Explicator 61 (Winter 2003): 79-81. 

Reichman, Ravit. “’New Forms for Our New Sensations’: Woolf and the Lesson of Torts.” Novel: A Forum on Fiction 36 (2003): 398-422. 

Richards, Paulette. “Regency Romance Shadowing in the Visual Motifs of Roger Michell’s Persuasion.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 111-26. 

Riso, Mary. “Anne in Persuasion.” Heroines: The Lives of Great Literary Characters and What They Have to Teach Us. Grand Rapids, MI: Baker, 2003. 48-55. 

_____. “Elizabeth in Pride and Prejudice.” Heroines: The Lives of Great Literary Characters and What They Have to Teach Us. Grand Rapids, MI: Baker, 2003. 86-90. 

Roberts, Michele. “When Jane Austen Describes Meals, They Are Never Innocent Events.” New Statesman 21 July 2003: 56. 

Schor, Hilary. “Emma, Interrupted: Speaking Jane Austen in Fiction and Film.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 144-74. 

Sebba, Anne. “A Real Sense of Sensibilities.” Times Higher Education Supplement 11 July 2003: 22. 

Selwyn, David. The Complete Poems of James Austen: Jane Austen’s Eldest Brother.” Chawton: Jane Austen Soc., 2003. 

Shattock, Joanne. “Jane Austen and George Eliot: After- lives and Letters.”  George Eliot Review 34 (2003): 7-20. 

Spence, Jon. Becoming Jane Austen: A Life. New York: Hambledon, 2003. 

Stewart, Brian. Jane Austen: The Controversial Rice Portrait. Falmouth: Falmouth Art Gallery, 2003. 

Tandon, Bharat. Jane Austen and the Morality of Conversation. London: Anthem, 2003. 

Tauchert, Ashley. “Mary Wollstonecraft and Jane Austen: “Rape” and “Love” as (Feminist) Social Realism and Romance.” Women: A Cultural Review 14 (2003): 144-58. 

Thompson, James. “How to Do Things with Austen.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 13-32. 

Transactions: Jane Austen Society (Midlands). 14 (2003). 

Turim, Maureen. “Popular Culture and the Comedy of Manners: Clueless and Fashion Clues.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 33-51. 

Voiret, Martine. “Books to Movies: Gender and Desire in Jane Austen’s Adaptations.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Ed. Suzanne R. Pucci and James Thompson. Albany: State U of New York P, 2003. 229-45. 

Waldman, Adelle. “Cents and Sensibility: The Surprising Truth about Sales of Classic Novels.” Slate 2 Apr. 2003: 8 pars. 26 Aug. 2004 <http://www.slate.msn.com/id/2081052›. 

Wallace, Tara Goshal. “Filming Romance: Persuasion.” Jane Austen on Screen. Ed. Gina and Andrew Macdonald. New York: Cambridge UP, 2003. 127-43. 

Wheeler, David. “Jane Austen and the Discourse of Poverty.” Eighteenth-Century Novel 3 (2003): 243-62. 

Wheeler, Michael. Jane Austen and Winchester Cathedral. Winchester: Friends of Winchester Cathedral, 2003. 

Wiltshire, John. “Decolonising Mansfield Park.” Essays in Criticism 53 (2003): 303-22. 

Young, Kay. “Feeling Disembodied: Consciousness, Persuasion, and Jane Austen.” Narrative 11 (2003): 78-92.

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