Deception with a Graceful Bow: Northanger Abbey’s General Tilney and Dance Semiotics
By
Sabrina M. Gilchrist
Sabrina Gilchrist is a Ph.D. candidate at the University of Florida, where she focuses on Victorian Literature and Women’s Studies. Her primary research interests include dance, performance, class, gender, and the body. Her dissertation examines how Victorians understood the waltz, which, despite its lascivious reputation, was extremely popular throughout the period.