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Occasional Papers, No. 3

Fall 1999


The essays that make up this collection of Occasional Papers: Emma on Film confirm yet again that Austen’s characters and situations transcend time and cultural barriers.  Amy Heckerling, Andrew Davies, and Douglas McGrath envisioned new and diverse ways for readers and viewers to "see" Jane Austen's Emma and her society.

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Contents

Editor’s Note

Laurie Kaplan

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Introduction to Emma on Film

Kenneth Turan

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Emma Minus Its Narrator: Decorum and Class Consciousness in Film Versions of the Novel

Sarah R. Morrison

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Emma, the Movies, and First-year Literature Classes

Robert Eggleston

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Robbing the Roost: Reinventing Socialism in Diarmuid Lawrence’s Emma

Sally B. Palmer

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The Cassandra of Highbury: Miss Bates on Film

Sue Parrill

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Extensive Grounds and Classic Columns: Emma on Film

William A. Phillips

Louise Heal

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Filming Highbury: Reducing the Community in Emma to the Screen

Linda V. Troost

Sayre N. Greenfield

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The Social Constructions of Douglas McGrath’s Emma: Earning a Place on Miss Woodhouse’s Globe

Christine Colón

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Emma and the Servants

Lisa Hopkins

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Reviving Emma in a Clueless World: The Current Attraction to a Classic Structure

Melissa Mazmanian

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EDITOR

Laurie Kaplan
Goucher College

EDITORIAL BOARD

Inger Sigrun Brodey
University of North Carolina at Chapel Hill

Julia Prewitt Brown
Boston University

Edward Copeland
Pomona College

Jan Stockton Fergus
Lehigh University

  

Catherine Kenney
Loyola University of Chicago

Susan Morgan
Miami University of Ohio

Stuart Tave
University of Chicago

 

 ISSN 1559-7520